ONE SENTENCE REVIEW: 'What If' – Craig David

One Sentence Review: ‘What if’, by Craig David

Bringing back the ‘One Sentence Review’ this year, whereby each member of the music team review a new, random song. Here is this week’s…

Georgia: “Good beat to nod your head to.”

Eamoun: “Some of the best parts of early 2000s but sounds as dated.”

Daniel: “Throwing back to the early 2000’s!”

Wade: “Wouldn’t play it on my show!!”

Halina: “Good beat and lyrics, but nothing new.”

Gemma: “The beat reminds me of old 90’s R&B and the voice has a nice soothing vocal.”

Francis: “Boring, melodramatic nonsense.”

Bethan: “Not much development.”

Sam: “Naff.”

James: “Throwing you right back to an era you’re glad you left.”

Megan: “A great slow jam with a great catchy beat.”

Haroun: “Very radio friendly.”

Noelle: “It reminds me of songs that play in corny teen movies…Very Jason Derulo in my opinion.”

Dulcie: “Sounds like Justin Timberlake c. 2004.”

Phoebe: “Really catchy song – good tune for the radio.”

Nicolette: “Classic bae – loved it!”

Josh:  “It’s the 2000’s all over again!”

Charlotte: “Catchy, good for entertainment shows.”

Unknown: “From the second it starts you can tell it is a classic Craig David song with a base and a good range.”

Ijeoma: “Craig has a very distinctive voice, I enjoyed the song and very different as it contained a key change and most RnB songs today don’t have one. No wonder he is nominated for a MOBO award.”

Archie: “The lyrics, although slightly different, were devoid of anything interesting, which was a shame for such a lyric-driven song. The melody was bland and repetitive. Overall, a song with no bite.”



Quarterlights, the rock/pop band, who formed at Royal Holloway back in 2013, recently released their EP ‘The Real Life’. The band consists of Ollie Clark  (Vocals, Piano, Saxophone, Violin), Tom Molloy (Lead Guitar), Andrew Skipper  (Bass Guitar) and Luke Beasley  (Drums). 

They came to the studio for a chat and live, acoustic session – follow the link to listen to the show (in two parts)…



Interview conducted by: Isobel Sheeran and Halina Hayre

‘The Real Life’:

Itunes –

Spotify – spotify:artist:3S4hlPFZxiNsOA1QOQVnsJ


THE HUNNA: New Album '100'


 The Hunna four-piece indie-rock band from Hertfordshire, UK – established themselves on the scene when their debut single ‘Bonfire’ was released back in October 2015. Now, their debut album, ‘100’, has hit the charts running, with incredible support from BBC Radio 1. With sold-out London shows, Festival appearances, and their biggest tour so far in the UK hitting off to an astounding start – we managed to grab some time with the lead guitarist Dan Dorney.

Insanity Radio: Is it OK if I call you Dan?

Dan Dorney: Absolutely, or BD100, whatsup?

Insanity Radio: I have an interesting fact for you!

Dan Dorney: OK.

Insanity Radio: ‘Huna’ is an actual word in punjabi!

Dan Dorney: Is it really?

Insanity Radio: Yeah! And it’s a tag question,  meaning ‘isn’t it?’

Dan Dorney: Ah cool!

Insanity Radio: Because when I first heard it, when I was doing my research about you guys, I thought, are they an Indian rock band? I was so confused. Where does the name come from? It’s quite original, very unique and I’m sure it’s so memorable. 

Dan Dorney: Yeah, well funnily enough it actually came from what you just said. We have like a hip-hop background, we’re very diverse in our music, we all like different types of genres in music, and within hip-hop music, there weren’t ‘Hunnas’ used a lot, it means, you know, give 100% into something. Before we released, we spent two years writing and recording a few hundred songs and given it everything we got, and it just kinda sits with The Hunna, like we’ve given 100% in what we’re doing. Then we put ‘The’ in front of it, and we came up with it. But funnily enough, we actually come up with it in Tesco, somewhere in Bath, we were all hungover walking around, and we were like, ‘we should be called The Hunna man!’ – and we were like, ‘yeah, lets do that, lets do that’. And, we did.

Insanity Radio: It’s a really nice message, that you all have given 100%, like that’s a nice message to send to the fans.

Dan Dorney: Yeah definitely!

Insanity Radio: How close are you to the other band members, are you like brothers, best friends, what are your relationships?

Dan Dorney: Honestly, we are literally brothers from other mothers. I’ve known Jermaine since Year 2 at school, I remember finding him on the playground and saying ‘Can I play with you?’, and he let me play with him, and I’ve known him since then. Ryan, I’ve known since college, the age of 16 – that’s when we decided to start this band. I’ve known Jack since I was 18, I’m 24 now – we’re all 24. So yeah, we’ve known each other for a really long time, like, we would always hang out with each other, got to do band stuff together, like recording, doing whatever really.

Insanity Radio: So you’ve almost grown up together?

Dan Dorney: Yeah, we have, honestly we have, it’s cool because we’re experiencing everything for the first time together. It’s really cool, and we all come from the same town and we all know each other in and out – it’s really good, because, whenever it gets tough, we have each other to rely on, and it’s really really good, it’s amazing.

Insanity Radio: So speaking about likes and interest, do you all like the same things, are you into the same kind of music, because when you’re writing and making music, are you into the same things, or do you have different tastes?

Dan Dorney: We’re all different, but we’re all the same, it’s really hard to explain – we’re all very diverse, like I said, we all have – like, Jack is the hip-hop King, I love my rock’n’roll, but we all do, we all like different genres, but it’s cool because we all bring new music to each other, we always check it out.

Insanity Radio: It’s good that you’ve all got individual tastes, and you all bring it together. So what has been the most memorable moment, as a band, together?

Dan Dorney: It’s going to have to be the Electric Ball-room. The Electric Ballroom was our first sold-out show in London. With the capacity of like 1200 I believe, and our next big show in London will be Kentish Town Forum – we’ve sold three-quarters of the tickets, so we only have a quarter left! That’s definitely the best memory for us.

Insanity Radio: I bet you’re excited for that London show then?

Dan Dorney: Oh, so excited – it’s like a dream come true honestly – I’ve worked so hard, so finally for it to happen in reality is amazing.

Insanity Radio: So speaking about sold-out shows, where do you see yourself in 10 years time? – Do you want to sell out the O2, is that the big dream?

Dan Dorney: That’s exactly what we want to do, in all honesty we want to be one of the biggest bands in the world if we can be. We always like, we want to inspire like we’ve been inspired. We want to inspire generations, inspire people to pick up the guitar, go on the drums, play the bass, sing. And just inspire generations ahead of us, and keep playing music, and keep writing, and keep having a good time, and enjoy it.

Insanity Radio: When you were younger, who was your inspiration? Who was your favourite musician/band?

Dan Dorney: Personally, my dad kind of educated me on the Rock N’ Roll. He presented to me like ACDC, Guns N’ Roses, all the massive, commercial, amazing rock bands. I used to really want to be in a massive rock band like ACDC or something like that. But we’re all inspired in different ways, I know Ryan has been educated when he was young by lots of soul music, like soul singing – his dad loves soul and blues. And Jack, like Queen, and Jermaine is the same as me, but Jermaine went to the same school as me like I said, we grew up listening to music together; like he would bring Nirvana, and I’d bring Radiohead or something like that, we were always bouncing off each other – that’s what we’re still kind of doing now, keep bringing new music along – it’s amazing, really cool.

Insanity Radio: If you weren’t in a band, what would you be doing?

Dan Dorney: Trying to make it in a band! We’ve always, me and Ryan especially, and especially the other guys as well individually but, we always wanted to be doing exactly what we’re doing. I left college at the age of 18 with Ryan, and we commited to doing something like this, and we tried everything we could possibly think of, like bar work, construction, sales. We were those guys you call up and ask ‘do you need a reclaim or PPI’ – you know, we’ve been there done that. We’d probably work in like, any job really.

Insanity Radio: What would you say was the nicest job you’ve had and what’s the worse job you’ve had?

Dan Dorney: Ohh- There’s definitely been two of them…like, we worked in construction, it wasn’t a nice job, it wasn’t easy, but the people we worked with were incredible people, and they taught us a lot of values and other good things. Also the sales job. It’s really cool cause — you take elements of how people are running their business and how people treat other people and you know you take it onboard, you know, sort of things we’re doing in music and they’ve really influenced us, and taught us a lot. But it has to be either the construction or sales to be honest.

Insanity Radio: I’ve never worked in construction so I haven’t got an opinion there. What would be the last thing you would do going on stage?

Dan Dorney: Ah, well I’m sure, we always put our hands in the middle and then we all like, syc ourselves up, and we all go like, ‘We’re The Hunna’, and we get ready, try get pumped up, do our stretches. Jack’s like our yoga teacher as well, — and he’ll be doing his stretches, and we’ll make fun of him — we’ll get ready, get hyped up — and then get on the stage and kill it. Haha –

Insanity Radio: You are all pretty close, what would you say was the most interesting thing that you’ve done together, apart from the band, like have you been on holiday together…?

Dan Dorney: Oh, we’ve done a lot together besides the band, I mean, we’ve had many holidays, I remember we all went to Ibiza, that was mad, that was really fun, that was good times, a bit of Pacha hotel, bit of Spades. What else have we done?…played football together, you know. There have been countless times, where we’ve done other stuff, and it has been absolutely mad. Just can’t put your finger on one.

Insanity Radio: Ok, so chatting a bit more about your up coming music, your album, things like that. So you’ve released your debut single ‘Bonfire’ last year in October 2016. So what’s next?

Dan Dorney: What’s next? Our albums out on the 26th of August, its called ‘100’. It contains 16 tracks, and 5 of the tracks are bonus tracks, but we’ve decided to call them ‘Plus One Hunna Tracks’ – just to be different, have a bit of fun with it. And there’s a lot of bangers on that album. Funnily enough, we all went yesterday to have an album signing, where the CD’s are made, and the Vinyls are made, and we took some with us, and on the drive back, through Stevenage, to Hertfordshire, Watford, we got on the album and it absolutely blew us away, we were really happy and impressed with how it sounds. So big singles coming out, it’s gonna be new tracks that you haven’t heard, like ‘Alive’, ‘Never Enough’, ‘Bad For You’ – we got a lot of big bangers on that album.

Insanity Radio: So everyone listening to this, watch out for The Hunna and their new album coming out on the 26th of August. They’ve got a lot of new tracks, something for everyone on their album. So are you all from Hertfordshire?

Dan Dorney: Yep, we are all from Hertfordshire, in a little town called Watford.

Insanity Radio: Watford?

Dan Dorney: Yeah! Watford, yeah!

Insanity Radio: That’s not very little, I mean, I’m from Birmingham –

Dan Dorney: Birmingham’s a lot bigger than Watford, no? Haha-

Insanity Radio: Well when I say I’m from Birmingham, I’m from a place called Warsall, and it’s like a village outside. What’s Watford like growing up?

Dan Dorney: Watford, you know, it’s actually pretty cool, you’re only like, a 20 minute train away from London, you know, and that, it’s so great to get in and out, like without have the hustle and bustle all the time. It’s really cool, like, you know, it’s up and coming as well, there’s been a lot of money being put into Watford right now, it’s on its way up. But, you know, we always spent our time in the Harlequinn, always shopping, and everyones really cool there, it’s a really cool place to be. And it’s near London! – Haha

Insanity Radio: So would you say London is like your favourite place in the UK?

Dan Dorney: Yeah, I have to say, we do like a bit of London, especially now we’re older, we try and go in there as much as we can. Like we said, it’s only like a 20 minute train journey.

Insanity Radio: What would you say is your favourite part of London? Oxford Street, Covent Garden, Camden?…

Dan Dorney: We like to spend a lot of time in Camden, Camden is really fun. Like all the stalls, you know, you’ve got big bars, good places to eat. But we go everywhere. There are still so many places in London we need to explore and know, better than we do now.

Insanity Radio: Have you met Lana Del Ray?

Dan Dorney:Unfortunately not no, we’ve heard some stories, from people in the studios writing with Lana Del Ray, and obviously, Tim’s an amazing guy, we’ve given him a squad name, we call him Uncle Tim. He is like an uncle to us, literally, he is incredible. We wrote loads of songs and then we put them to Tim, and then he taught us loads of different techniques and how to write in different ways and loads of stuff we didn’t know, then he went through our music with us, and we worked on some other tracks and made them, improved them, make them a bit better. And like, he’s really good, and he has become a really close friend to us, just incredible.

Insanity Radio: Is he like a mentor then?

Dan Dorney: Yeah, he is honestly like, he is the man, he knows. He is honestly the nicest guy you’ll ever meet, he is so down to earth. And funnily enough, he’s got a little baby on the way at the moment and we can’t wait! A little Hunna baby! Haha-

Insanity Radio: Who would you say was the one person, who set of people, who you can say, ‘yes, they assisted us from the start, they’ve helped us, we are where we are today because of them’ – who would they be?

Dan Dorney: Yeah well, we are where we are today, like from the work we put in. You know, it didn’t happen over night, like I said, we spent so many years preparing and writing, and getting ready for what we’re trying to accomplish now, and what we are accomplishing actually. And, you know, people who are surrounding us, we surround ourselves with good people, and our record label, an independent label, they’re not a major label, they’ve brought so much to the table and like, it’s like a family, honestly, the label, the people we’re working with, what we’re doing, its still really strong, and we couldn’t be happier with the people we are surrounded by.

Insanity Radio: So do you have anything you want to say to your fans or to anyone listening to Insanity Radio – a little message?

Dan Dorney: OK, One Hunna, thank you for listening, appreciate it, and go check out our album, it’s going to be out on the 26th of August, which is days away, it’s going to be an awesome album, hopefully album of the year, go check it out and spread the word – OneHunna.

Interview conducted by Halina Hayre

Written up by Isobel Sheeran

Please do check out the audio of the interview here:

The Hunna:




From the 7th – 9th July 2016, the music and arts festival NOS Alive in Lisbon, Portugal, celebrated its 10-year anniversary. With the beautiful weather and location, the festival has grown considerably over those 10 years, evolving into an event popular not just within Portugal but across Europe and the world. It now attracts both local and international visitors, as well as widely spread big and upcoming artists from a variety of musical genres. Having been fortunate enough to attend the festival this year, I had the opportunity to see headliners including Radiohead, The Chemical Brothers and Arcade Fire as well as other big names from a range of genres, such as; The 1975, Years and Years, Biffy Clyro, Two Door Cinema Club, Band of Horses, M83, Wolf Alice, Tame Impala, Foals, Pixies and Grimes. The list is endless and it was awesome!

As it was my first festival ever, I was a little anxious at the prospect of going to one abroad instead of remaining within the UK. However, following the three days I can confirm that the festival combined everything that I love about music in an environment that was both safe and organized but also just the greatest fun! From the moment you arrived following the 4pm opening, whether by car, train or bus from the local campsite, there was live music as well as people handing out lanyards and colorful cowboy hats, ready to greet you. Entering the festival area with the sea on one side and beautiful cultural landmarks on the other, it was evident that the light-up sign along the edge that said, “The Dream is Real” could not have been more accurate. From there, the music, starting officially at about 6pm on one of the three main stages (NOS, Heineken and Clubbing), continued non-stop through to the next morning’s sunrise.

With a line up that continues to get better every year, it was hard to pick just a few stand out performances. The Chemicals Brothers however, packed the main NOS stage, with the entire crowd hanging onto every beat of the intense bass, enjoying their endless drop teasing. The incredible light show and addition of two giant robots also helped to create an atmosphere of communal excitement. Two Door Cinema Club, who were very well received on the Heineken stage, also deserve a mention and were a personal favourite, with their ceaseless collection of indie rock hits that got the entire crowd jumping and dancing. It was this feeling of celebration and enjoyment that was evident in each crowd across the course of the festival and what really made the few days. With the range in age of the audiences, from the most adorable 6 year olds all the way up to seasoned festival veterans, the collections of friends and families were open, enthusiastic and respectful. Evident particularly, in the mosh pits of Foals and Biffy Clyro, the voluntary nakedness for the big screens during Tame Impala and the presenting of a bra to Father John Misty! As well as, of course, the non-stop insane dance moves throughout the nights.

The festival was also home to many independent food stands serving a range of items ranging from wraps to burgers, pasta, pizza, and churros. The bars set up around the arena also sold endless Heineken beer along with a mix of many other drinks and I feel the need to mention that the bathrooms were also surprisingly adequate! Overall, I have only positive things to say about my experience at NOS Alive 2016! With a capacity of only about 55,000, the festival combined the joys of being a part of an amazingly excited crowd whilst maintaining a community feel and intimacy with the artists. The line up speaks for itself and I know the festival will only continue to grow from here based on its past success. If you are at all interested in exploring alternatives to just UK festivals, NOS Alive is one of the firsts you should consider!

*For more info visit:

LANDMARKS: "‘Cutting Strings' started as a simple idea with a line from Avengers…"


The alternative-rock band Landmarks, originating from Manchester, are in the run-up to releasing their third EP ‘In Spite Of It All’ – due to be released on the 12th of August. The group recently teased their fans with the unveiling of the single ‘Cutting Strings’ (video out now), which shows the transition from their early days of punk-pop.

Here’s the interview we had, introducing themselves, their music and their future goals…

Insanity Radio: When did you all first meet? What made you want to start a band?

Brad: Adam, Tom, and I played in a few local Manchester bands throughout the years and eventually joined together when each of them disbanded. We found Nic online when our original guitarist James McCormick left the band last year and he’s fit right in! He wants to be in a band for the exact same reasons as us; to create music which means something and makes people happy no matter what situation they find themselves in. All of us just love music and the feelings it can bring about, and we hope that passion is reflected in the songs we write.

Insanity Radio: So with the release of your new EP ‘In Spite of it All’ just around the corner, what’s your favourite song to play live?

Brad: I think we all really enjoy playing the EPs closing track ‘With Clarity’ live at the moment. It’s one of the most mature songs we’ve written to date and we’re all extremely proud of it, plus it allows us to release a lot of energy onstage as it’s one of our bouncier tracks to date. People seem to be enjoying it so far, so we’ll keep playing it until they look like they’re not having a good time!

Insanity Radio: Have any of your songs come, or been influenced, from singing in the shower?

Brad: I can honestly say that I write about 80% of lyrics while showering. It’s not ever something I really think about, a line will just come to me while washing my hair and before I know it, I’ve thought of a melody and I’m wailing as loud as I can – so long as there’s nobody else in the house.

Insanity Radio: With the teaser release of ‘Cutting Strings,’ is there a particular story to meaning behind the song?

Brad: ‘Cutting Strings’ started as a simple idea with a line from Avengers: Age of Ultron inspiring the chorus hook, and from there I started to develop a sort in my head of a relationship on the rocks, with the girl in question falling out of love with the man who’s perspective is heard in the song. I feel like there’s too many couples nowadays that expect the world from each other when really, we should step back and appreciate the little things that connect us. Some of it comes from personal experience, some of it is just part of a narrative I put together in my mind, but I think it’s something we can all empathise with at some point in our lives.

Insanity Radio: Your newer music seems to have evolved from ‘pop punk’ to ‘alt-rock.’ What was the reasoning behind this change?

Brad: This was something we discussed when Nic first joined the band and luckily, his taste in music is pretty much the exact same as ours! We never really felt like we fit in with the pop punk scene in the UK because many of our influences were outside of the genre, so we just started writing what we wanted to hear instead. Personally, I feel like this is the right direction for us and properly reflects our abilities as musicians.

Insanity Radio: For all the fans out there, are there any dates they should write down in their diaries of any upcoming shows?

July 29th – Deadbolt Relaunch @ the Ruby Lounge, Manchester

August 27th – Bear Wych Fest – Middlewich

September 25th – Retro Bar – Manchester supporting Beyond Zero

Insanity Radio: What song do you have on repeat at the moment?

Brad: I simply cannot get enough of ‘Your Deep Rest’ by The Hotelier right now. That whole album is just incredible, but that song in particular hits you right where it hurts, in ways that only a few bands are capable of. It’s utterly sincere and heartbreakingly honest. If you’ve never listened to The Hotelier, I wholeheartedly recommend you giving them a go. They are one of the few bands out there right now doing something both meaningful and original.

Insanity Radio: Are there any venues/festivals you would love to play at in the future?

Brad: It would be so cool if we could play Groezrock in Belgium! That’s one of those festivals that always seems to have such a cool selection of bands and fans. Also, the beer selection would be incredible.

Insanity Radio: Do you have any advice for anyone wanting to start a band?

Brad: You’ve got to make sure you’re doing it for the right reasons. It sounds very cliche but you’ve really got to believe in the music that you make. Whenever you write a song you need to step back and ask yourself, “Is this the kind of music that I would want to listen to?” Hopefully the answer is a resounding “HELL YES”. That being said, don’t force it. You need to be enjoying the process of making music, as well as enjoying the music that you make. Being in a band is a long journey with no particular destination, so you need to make sure you enjoy the ride.

Insanity Radio: What’s the most bizarre thing to happen to you while you were onstage?

Brad: I guess I was technically offstage on this occasion… Stage-adjacent? Anyway, when I was in school, I was part of a talent show that the school held towards the end of the year. Just after I left the stage (having performed an excellent rendition of ‘Wonderwall’ by Oasis – classic Manc lad), all of the teachers took to the stage for a surprise performance of their own. They did their version of Peter Kay’s ‘Is This The Way To Amarillo’ video which was, you know, cringey but fine. However, after realising that he was no longer being supervised by any adults, one kid decided to throw the pillow he was sat on at another kid. That other kid retaliated with his pillow, which missed and hit a third kid, who threw his pillow in return. In seconds, the entire room was filled with hundreds of flying pillows. People were getting hit in the face, lighting equipment was knocked over. It was like a soft, feathery Saving Private Ryan. The teachers didn’t know what to do and just carried on with their awkward dance number. Everyone was singing along “Is this the way to throw a pillow? Every night I’ve been throwing my pillow.” Chaos.

Insanity Radio: And lastly, originating from Manchester, are you Manchester United or Manchester City fans? (or neither!?)

Brad: We are 3/4 United fans and 1/4 not a football fan!

Check out the band on Spotify!





Sticky Blood

The production duo Sticky Blood, includes that of Arctic Monkeys original bass guitarist Andy Nicholson, and Jamie Shields. The two have moved away from their previous projects to produce music together, collaborating with vocalists such as Hekky and Ajay Carter, amongst others, in their quest to create new sounds. With a mix of electronic, hip-hop and grime, the pair seem to acquire multiple styles through each song they release, keeping listeners on their toes.

I got in contact with the duo, to ask them a little bit about their past, present and future…

Insanity Radio: Firstly, is there a backstory to the name ‘Sticky Blood’?

Well it all started when our friend who we nick-named Squidgy Black, was telling us how a certain drink made your blood sticky so we said it sounds like that would be his little brother.  It grew from there…

Insanity Radio: How did you two meet/decide to work together?

We met when we were both working with rappers who knew each other and started the Clubs and Spades project and made a album/mix tape and it just moved on from there really, before long we were sharing a studio and working with other artists and bands.

Insanity Radio: When did your love of producing start?

We both came from band backgrounds and played instruments and it only felt like a natural progression to move towards production. We are both fans of sounds and making all kinds of sounds and capturing things with a vibe and purpose.

Insanity Radio: What are your main influences – in terms of styles and vibes?

There are so many from uk grime to bands. We both like a lot of different styles of music. One day we will be listening to Wiley then Queens of the Stone Age then Dr Dre, so every day is different.

Insanity Radio: Andy, how has the move from being part of Arctic Monkeys to Sticky Blood been? How different is your vision for the material you wish to produce now?

The vision is still the same and it’s make good music. Thats it. Thats all it’s gonna be.

Insanity Radio: How was it to work with your collaborators, such as Hekky and AJay? How did you come to work with them? 

Jamie has been working with Hekky for years and Ajay was some one our manager put us on to. Both really easy to work with.   We just vibe and chat and let the artist Dj on iTunes for a little to see where there head is at.

Insanity Radio: What are you goals for the future? Or where do you see yourself in a few years, musically speaking? 

We are just going to continue to work on new music and with as many new artists as possible and grow and evolve

Insanity Radio: You seem to explore multiple different genres and sounds, keeping your listeners on their toes, would you agree? And if so, what’s your aim behind this?

Yeah that’s the aim and like we said its just because we are into so many different genres.

Insanity Radio: Lastly, is there any musician/singer who you hope or wish to work with?

Loads, mainly ones that have a very individual style and vibe such as Stormzy, Maverick Saber and Cas is dead.  The list is pretty endless.

(Interview conducted by Isobel Sheeran)





The Sons Of Pitches

The six-member British a-cappella group, The Sons of Pitches, first came onto the scene in 2010, performing whilst at University. Now six years on, they are a multi-award winning band, winning the BBC’s ‘The Naked Choir’  back in 2015. They have travelled all across the globe, touring across the USA and Asia, captivating their audiences with profound harmonies and complicated beatboxing. After their critically acclaimed, sold out tour, the group have announced their UK Tour Dates, with shows throughout November and December (2016) – before they head off again to countries like Canada, Germany and Spain.

Check out the groups latest tour dates on their website:

Here is a link to their performance on The Naked Choir, performing ‘MMMBop in 10 genres’:

ALBUM REVIEW: Tom Odell – 'Wrong Crowd'

Tom Odell’s ‘Wrong Crowd’ Album Review

There was a lot of excitement in the rise up to Tom Odell’s new album ‘Wrong Crowd’. Prior to the release, Tom teased his fans with the slow reveal of some of his albums’ hits, such as ‘Wrong Crowd’, ‘Here I am’, ‘Magnetised’ – songs which, like so many others, made me remember just how talented he is. His first debut album back in 2013, ‘Long Way Down’, made it into the Official Chart. In the interim, his few, but powerful tracks, have had a positive response from listeners.

Three years on, ’Wrong Crowd’, released on June 10th 2016, delivers a rather depressing set of songs of heartbreak and misery – yet its catchy rhythm and lyrics, makes you want to hear more. His influence of Elton John really shines through – powerful piano riffs and new percussion-based beats, brings a new vibe to his music – different from previous releases. This development has benefitted his material considerably, by creating something quite different from the usual chart numbers.

Odell’s sold-out shows, titled ‘No Bad Days Tour’, begun on the 20th of April 2016 in London, and he will continue to perform in multiple festivals this summer, such as ‘T In The Park’ in July.

The tracklist for Wrong Crowd is as follows:

1. Wrong Crowd
2. Magnetised
3. Concrete
4. Constellations
5. Sparrow
6. Still Getting Used to Being On My Own
7. Silhouette
8. Jealousy
9. Daddy
10. Here I Am
11. Somehow

(Listen/Buy on iTunes, Spotify, Amazon*)

Each song seems to give a different feel; some good in exploiting his incredible vocals, some more attributed for energetic live performances (which got him spotted in the first place). One of the great things about the new, innovative album, is that a large majority of the tracks are ‘hit-worthy’ – in that they become well-known, whether making it to the charts, or simply having air-time. I believe that in Odell not rushing into producing music for label requirements or financial reasons, instead, draws passion and a heart-felt approach into every word and the overall sound; really reflecting on his success and influence as a young artist.

Ever since he released his first album, he has been climbing up the ladder to recognition and success, and I will patiently sit in the corner waiting for his next release, as this album will adequately ‘feed my thirst’ of his music till the next album.

*Tickets and Merchandise available on his website:

ALBUM REVIEW: L33 – 'Karate'


We all know the feeling of “Release Day”, new material from your favorite artists!

L33’s Brand new LP titled Karate, released on the Eat Brain label, a leader in Neurofunk Drum & Bass. Other artists under the “Dark, Deep, Unfiltered & Unrestrained” label are: Agressor Bunx, Black Sun Empire, Mefjus, Mob Tactics, State of Mind and Teddy Killerz.”

This is one serious Label!

After Huge Success with the Sampler, L33 has Released all 15 New Tracks:

  1. ClubLife
  2. Electroshock
  3. Collide
  4. Grime All The Time
  5. Earthbound
  6. Creatures
  7. Drop It Down Low
  8. Karate
  9. Strange Things
  10. Disco Funk
  11. Once Again
  12. Zealot
  13. Razor Blade
  14. Stand Down Feat. Nuklear
  15. Blood Brain

After its Release, May 30th 2016 – “Exclusive to BeatPort” it has already reached #1 in the “BeatPort Drum & Bass Album Chart”. The 20 year old, Bulgarian DJ Known as L33 has worked with lots of big names like Andy C, DJ Hype & Dillinja and it shows.

Faultless production skill, #1 in beatport chart in just over a week.. This is one name to remember!

One of my favorite tracks from the LP is “Stand Down” it features a fellow Eat Brain Artist, Nuklear MC; he brings the track to life with a catchy vocal riff. Other huge tracks “Club Life”, “Grime All The Time”, “Blood Brain” and the rest of the LP has been created with filth In mind! Neurofunk at it finest! The dark nature of the tracks is what makes this LP so special, the sounds I could imagine at the end of the world…It reminds me of the first time I heard Pendulums “Hold Your Colour” album.

The Mysterious Darkness, draws me closer like a Black hole. Mind blowing sounds whirling around like asteroids lose in space, colliding at every drop, releasing vast amounts of energy that dispersers in the emptiness that is space…

Or as L33 put it:

“Night has fallen, the threat of extinction riding on the edge of its transition. Decaying and contorted faces of the undead leer from the shadows, twisted limbs reaching from the darkness towards the eternal signal – driven to crush its subversive broadcast and extinguish the final beacon. A single being stands in their way – the strongest of his kind, the last of a genetic line extending into a derelict past with an imperative to preserve the future. An arsenal of sonic weaponry residing within the lines of his palms, drawn forth through the ancient forms manifested by long-dead masters. His swift movement amongst the shuffling army is efficient – acute strikes snap limbs, raw concentrated power crushes bone, low-frequency techniques leaving little behind from the weight of brutal molecular disruption. With the rising of the sun, only he remains – the broken dead lying scattered and without motion – the focused power of his fighting form has prevailed… the signal is preserved.”

Review by Tom Dawes

*Album Review Show  – Saturday 18th June – Live on the Drum & Bass Session with Dawesy

– 6-8pm Insanity radio, Tunein radio – Online – App – 103.2FM –


This week’s One Sentence Review comes from the breakthrough Manchester trio PROSE, with their song ‘Future’. They create a new subgenre, merging hip-hop with energetic guitar playing and garage-style beats. Here are what some of the Music Team, here at Insanity Radio, thought…

Desmond Francisco – “Really not my genre, it has guitar in it.”

Izzy Sheeran – “Fell in love with this song instantly, perfect upbeat song to start the summer.”

Halina Hayre – “Kind of typical nothing new in terms of music, but catchy song – singing is abit irritating.”

Georgia Johnson – “Nice intro and groove to the verses, but disappointed by the crazy chorus beat.”


ALBUM REVIEW: Netsky – '3'

Originally published on

When it comes to the drum and bass scene, the first artist that usually comes to mind for me is either Sigma or Netsky. But as this title suggests, this is not a review of Sigma, today I’ve decided to review the highly anticipated third album by Netsky.

For me, I only got to know about Netsky after the start of the new year when I heard ‘Rio’ which features Digital Farm Animals. The chilled out vibes and the slower tempo, combined with the DnB made for a quaint mix which I personally liked, a lot. It was not until I discovered ‘Work It Out’ which also featured Digital Farm Animals, that I actually became a fan of his music. It was certainly a departure from my usual tropical house and cheese vibe, but I liked it.

Three Tracklist:

  1. Thunder feat. Emeli Sande
  2. Work it Out feat. Digital Farm Animals
  3. Rio feat. Digital Farm Animals
  4. Leave it Alone feat. Saint Raymond
  5. Who Knows feat. Paije
  6. Go 2
  7. High Alert feat. Sara Hartman
  8. TNT feat. Dave 1 from Chromeo
  9. Stay Up With Me feat. Arlissa
  10. Forget What You Look Like feat. Lowell
  11. Bird of Paradise
  12. Jauz X Netsky – Higher

I’ll try not to talk about every song..

To kick things off, Netsky partners up with Emeli Sande to produce ‘Thunder’. Starting with a string based instrumental introduction, it was an immediate cue for me to continue listening. In fact it became one of my favourite songs on the entire album. Emeli’s vocals were perfect for this song. I was glad to see that ‘Work it Out’ and ‘Rio’ were on this album because they were the first songs that made me a fan and so to see them on his third studio album made smile. ‘Leave it Alone’ was an interesting song which I found to be very funky in its approach. The backing vocals reminded me of ‘Higher’ by Sigma, but when the beat came in after the intro, I knew I’d like this song, and it certainly did not disappoint. But what surprised me the most was the next song. ‘Who Knows’ was certainly a surprising package. The mellow vibes along with the combination of string instruments and Paije’s vocals (which reminded me of John Newman) made for a beautiful song. ‘TNT’ was a departure from Netsky’s usual vibe. It was funky, it was something that I really got into. I think the vocals by Chromeo assisted in adding a certain degree of funkiness. No complaints though, I really like Chromeo as an artist and so to see them back is a welcome thing to see.

Whilst looking for music, I’ve been gathering lots of songs which I’ve found to be chilled in its approach, and I found a new songs to add to my list in ‘Who Knows’ and ‘Bird of Paradise’. In ‘Bird of Paradise’, the beautiful mixture of ambient noises, string instruments and piano, juxtaposed with the drum and bass beat makes for a wonderful combination.

‘Go 2’ showed promise. I could just about grasp a beat to the song. But it’s not something that I would say I enjoyed. Instead lets just say that it left me confused. Some songs that didn’t seem to hit the right chord with me were ‘Stay Up With Me’ and ‘Forget What you Look Like’. With these though, they’re not necessarily bad songs. They are in fact pretty good. They have the standard vibe that you would expect of a DnB-based album. However, I feel this is one occasion where releasing instrumental versions first followed by the release of the versions with vocals as ‘remixes’ might have made me enjoy it a lot more. I can certainly get into those songs, I just think I would’ve enjoyed it a lot more if it had been released as an original mix and a separate vocal remix. Something that is commonplace in the music industry, especially when it comes to EDM.

The Verdict..

The verdict from me personally is generally positive. I’ve criticised a few songs (sort of). Just like most EDM these days, there has been a shift in what can be considered ‘mainstream’. I’ve seen DnB evolve with that shift. From liquid DnB to just full on dirty DnB, you will always find something that you will enjoy. The thing I saw with Netsky was that there weren’t moments when the quality of the album peaked or troughed. Instead, it remained consistent. His style always shone through which is what we generally expect. We want more, but we want their type of more. The only gripes I had were based on my own confusion or what I would consider to be a better way to release the tracks. This certainly does not mean that it was flawless, but putting all my little gripes to one side, I will put my hands up and say that I loved this album.

ALBUM REVIEW: Boys Noize – 'Mayday'

Most people are unaware of Germany’s big techno scene and thus, are probably also unaware of Alex Ridha, aka Boys Noize. The Berlin-based producer started out in 2007 with his album Oi Oi Oi, ruthlessly banging brute electro beats in German club kids’ ears. By now, Boys Noize is among the most well-known techno DJs in the world, having collaborated with Skrillex as a duo called Dogblood, and played in sold out venues like Fabric. Boys Noize introduced me to techno with his 2009 club-tune ‘Jeffer’ and soon I found myself on my first ever rave with Boys Noize headlining. That’s why Boys Noize holds a special nostalgic feeling for me and it worried me when new song ‘Starchild’, featuring lyrics by singer Poliça, was released 2 months ago on his YouTube channel.

The first released song from his new album Mayday sounded more like Disclosure and other commercialised electronic music in the charts (not that I don’t like Disclosure, but in my opinion techno should feature less lyrics and more hard bass). But my anxiety that another of my favourite electronic artists had turned mainstream was unfounded and I was positively surprised to find that Mayday opens with 3 really convincing tracks. All of them are dark and vicious tracks a la Boys Noize style, that belong perfectly into a sweaty, flickering underground club, clanking the bass between the crowd. I can’t deny that the next song ‘Rock the Bells’ is captivating, but sampling Run DMC’s ‘Peter Piper’? Missy Elliot already did that back in 2002, so I immediately had the word unoriginal in my mind.

‘Euphoria’ and ‘2 Live’ both feature memorable melodies, but the songs take too much time to actually start and I was immensely annoyed by the added pop lyrics as the track would have worked better on its own. After this point the album comes to a long haul, because nothing really seems to happen. The tracks are not distinctively weak, but quiet repetitive and similar sounding. The next-to-last song ‘Hardkotzen’ I had to skip, because it was simply inaudible and gave me horrible headaches, which I guess because of the song title, was Boys Noize’s intention (‘Hardkotzen’ translated means ‘Vomiting harshly’).  The last track ‘Birthday’ stands out because of its rap lines by Hudson Mohawke und Spank Rock and bubblegum-pop beats, which is why at the end I’m still not sure if I really liked the song or absolutely hate it.

Whereas the album started out by surprising me with confetti tracks, Mayday dropped in the middle because of solid, but not really grandiose and innovative tracks, that are too repetitive. Boys Noize is missing something in these new tracks, most notably the spirit and ambition from his previous work.

Review by Carolin Wolfsdorf