Concert Review: INHEAVEN

The October 17th gig at Scala was something of a homecoming for the South London indie-rock band, and what a homecoming it was.

Having released their self-titled album in September, it’s been an exciting couple of months for INHEAVEN, and if there was one word that I would use to sum up the gig, it would be just that – exciting. The band have been releasing music since their 2015 single ‘Regeneration’ – a single which so caught the attention of The Strokes’ Julian Casablancas that he released it on his record label, CULT RECORDS, and despite having only been together for a relatively short period of time, it’s clear that INHEAVEN are one of the most exciting new bands to have ventured onto the indie-rock scene in recent years, and are definitely one to keep a close eye on.

They were supported by two bands – the four-piece indie rock group BLOXX from West London, and King Nun, a rock band signed to Dirty Hit, the same label that artists including Wolf Alice, Pale Waves and The 1975 are signed to, and a label that has been responsible for putting out some of the most exciting indie and indie-rock of recent years. There’s the age-old saying that you often find your new favourite band after seeing them support the band you originally booked to see, and it’s a saying that is definitely true for me in the case of BLOXX and King Nun. I’m loathe to use the word exciting again, but it’s incredibly applicable to both these bands. BLOXX have already released four singles so far in 2017, including ‘Curtains’, a song featuring heavy guitars and incredible vocals from frontwoman Ophelia Booth. ‘Coke’ is another standout, as are ‘You’ and ‘Your Boyfriend’ – in fact, every song in BLOXX’s set is a standout, and points to very, very bright things for the band’s future. As for the second support act, King Nun – words can do little to properly explain just how much energy this band exude on stage, and how exciting (drinking game: take one drink every time Phoebe uses the word ‘exciting’ in this article) both the band and their music are. The singer and guitarist, Theo, spent more time jumping about in the air than with his feet on the stage, and honestly, I could write another entire article about King Nun. All I can say is that you absolutely need to go and listen to them right now – ‘Tulip’ and ‘Speakerface’ are my particular favourite singles.

INHEAVEN are a band that are incredibly visually focused – singer and bassist Chloe Little was a film student before she was in the band, and many of the band’s songs start life as visual clips that then inspire songs to be written. Little also directs a number of INHEAVEN’S music videos, and the band has spoken in the past about wanting to try and bring some of that attention to visual detail to their live shows – this is incredibly evident, with a distressed looking American flag referencing the lyrics of ‘Baby’s Alright’, and roses decorating mic stands and all other available spaces. The four piece band, made up of Little (vocals, bass), James Taylor (vocals, guitar), Joe Lazarus (drums), and Jake Lucas (guitar), played a fourteen song set, playing the entirety of their debut album, alongside some B-Sides of singles that didn’t make it onto their debut. INHEAVEN’s debut album is one of those rare albums that doesn’t contain a single song that could be seen as a weak-link, and this showed during the gig, with the band playing tune after brilliant, high-energy tune. Each song is better than the next, from the almost 80’s new wave inspired ‘Stupid Things’ to the raw and gritty ‘World On Fire’ – the song which saw the first mosh pit of the evening, encouraged by singer/guitarist Taylor. INHEAVEN’s music is also exciting (there’s that word again) in that it doesn’t seem to fit quite into one genre – at times it feels like it could be from the 2007 height of indie music, or from the ‘80s art and college rock scene, and it could definitely also fit into the grunge genre at times. Little cites her inspirations as being Patti Smith, Sonic Youth, Siouxsie Sioux and Debbie Harry, and these influences are very apparent within their music. Other standout songs include ‘Bitter Town’, ‘Real Love’, and ‘Vultures’, a song that mixes Little and Taylor’s vocals perfectly to create a high-energy punk rock banger. INHEAVEN have only just started, and I can’t wait to find out what else they have in store.

Review by: Phoebe Hagan

Photo by Syed Ali
Photo by Syed Ali

MCM Comic Con – May 2017

The final weekend of May saw the biannual convention, MCM Comic Con, grace London’s ExCel Centre. Here Insanity Radio’s Syed shares his views on the event.

Intro:

MCM Comic Con has once again come and once again proven to be the biggest event of the summer calendar, showing some of the best cosplayers in the UK, Europe and beyond. I had the pleasure of attending the event and covering it for Insanity Radio 103.2FM, as well allowing me access to some of the many guest on show.

Pros:

The main pro of the event was the wide variety of cosplay on show, with franchises ranging from Marvel and Doctor Who, to more obscure and less know fanbases such as Berserk or JoJo’s bizarre adventure. Another pro was the variety of guest on show such as, Lou Ferrigno (the original Incredible Hulk), Veronica Taylor (Ash Ketchum from Pokemon) and  Manu Bennett (Deathstroke from Arrow) to name a few. This was a rather amazing opportunity due the chance to meet and discuss what drives them as well to see what inspires to keep doing the roles they do. We also had the pleasure of doing a bit of shopping as well enjoying some of the games at show such as Agent of Mayhem. This was nice turn of pace as the floor was managed in an efficient manner that allow for quick and easy movement.

Cons:

The only major con that I can think that comes to mind, would be the time it took to enter the hall, this was largely due to the increase in security as a result of the horrific Manchester attacks. This lead to a much longer system of checking being need, however this was justified downside but one that I felt should be mentioned due to the time delay it to look for entry and re-entry.

Conclusion:

In conclusion, MCM Comic Con May 2017 was an amazing convention should you want to do a little shopping, chill with friends or just have a fun time. With the only recommendation being finding a way to try and have more security to ensure an easier re-entry for those with weekend tickets.

Words and photos by Syed Ali

Written 30th May 2017

GIG REVIEW: Transviolet @ Boston Music Rooms, 18/05/16

2016 has been a ludicrously exciting year for new music, and one of the bands at the very forefront of that are Transviolet. Having only released four songs to the world so far, they’ve already attracted an ever-expanding hardcore fanbase, many of whom were won over on their recent tour with Twenty One Pilots. As brilliant as their debut self-titled EP was, there’s no acid test quite like your first UK headline tour. Insanity caught Transviolet at a sold out show at London’s Boston Music Rooms, and they certainly did not disappoint.

Before that, though, the capacity crowd got a more than welcome taster of the talents of London’s own Miamigo. Drawing elements from The 1975 and The Killers and throwing them into a blender with 80s new wave textures and an intangible additional spice, the four-piece were consistently impressive over the course of their 30 minutes on stage. If anything, the set got better as it went on, building from fun electro-indie that entertained, but rarely excited, into more unusual sounds. The bluesy strut of “Forever” was particularly striking, with a chorus that shifted time signature so effortlessly it was barely noticeable. Ending their set with the intriguingly left-field minimalism of “Hard to Love”, Miamigo made more than a few friends among Transviolet’s fans.

If the ecstasy among many of those fans when the headliners took the stage is anything to go by, then they won’t be in venues as intimate as the Boston Music Rooms for long. “Bloodstream” is a genius choice of opener; the dark, pulsating synths of its recorded version bolstered live by heavier guitars and bass. Transviolet’s music as a whole is meatier and more “rock” in a live environment, and all four of the band members throw themselves into every crescendo without slipping out of the tight structure of the songs. Many good bands are full of energy, but great ones are made up of characters. Vocalist Sarah McTaggart is a captivating presence, assuming the role of mesmeric rock star but ensuring the focus is always on her chameleonic, stunning voice.

What’s also very reassuring about the band’s live performance is that they are very much a band, rather than a vehicle for their singer, and each musician plays an integral role in how the songs are recreated live, whether it’s Judah McCarthy’s varied guitar lines, the pumping bass undercurrent from Mike Panek or the great balance between sampled and full-on rock drums provided by Jon Garcia. Those songs are, without fail, excellent. Inevitably it’s the already released tracks that get the biggest reactions, but unreleased gems like the dreamy “Astronaut” make the imminent prospect of a full-length Transviolet album tantalising. “New Bohemia” is predictably rousing, while it’s obvious why “Night Vision” is almost unanimously designated the band’s favourite song to perform live, as its chorus hits harder and soars higher each time it bursts out of the speakers. The best is left until last, an encore performance of “Girls Your Age” that perfectly captures the dark electronic magic of its recorded version and sends the crowd home very happy indeed.

Transviolet’s show proves not only that they can recreate their songs in a live environment to a standard that equals, and at times even betters, the EP performances, but also that they have a catalogue of material at least as good that’s ready to be unleashed on the world. The band return to the UK this summer for the Reading & Leeds festivals, and if you happen to be going then they’re a part of the lineup you do not want to miss.

Review by Michael Bird

Check out our interview of Transviolet here. The band’s self-titled EP is out now.